Perhaps most intriguing are previously unheard instrumental covers of two jazz numbers, Miles Davis’s “All Blues” and Milt Jackson’s “Bags’ Groove,” both of which incorporate elements of the Doors’ trademark sound. King’s “Rock Me Baby,” and Allen Toussaint’s “Get Out of My Life Woman.” Believe it or not, the Doors also offer an instrumental take on “Summertime,” the George Gershwin and Dorothy and Dubose Heyward standard. The setlists include a variety of blues and R&B covers, among them Willie Dixon’s “Close to You,” John Lee Hooker’s “Crawling King Snake,” Van Morrison’s “Gloria,” James Moore’s “I’m a King Bee,” Bo Diddley’s “Who Do You Love,” B.B. It embraces eight of the 11 songs from the Doors’ debut LP, among them “The Crystal Ship,” “Light My Fire,” “Twentieth Century Fox,” and two versions each of “Alabama Song (Whisky Bar),” “Back Door Man,” “Break on Through,” “The End,” and “Soul Kitchen.” Also featured are early versions of six of the 10 tracks that would show up on Strange Days, whose release was still more than half a year away: “Unhappy Girl,” plus two renditions each of “I Can’t See Your Face,” “Moonlight Drive,” “My Eyes Have Seen You,” “People Are Strange,” and “When the Music’s Over.” In addition, there are two readings of “Summer’s Almost Gone,” which wouldn’t surface on disc until nearly a year and a half later with the release of Waiting for the Sun. The program, which runs well over three hours and includes two complete shows, is wide-ranging. Eight of them were previously unreleased, while most of the others have not previously been available from first-generation tapes (though 15 such tracks were offered as Record Store Day vinyl exclusives in 20). Those shortcomings are addressed on the new Live at the Matrix 1967, a limited-edition three-CD (or five-LP) set that is drawn from the first-generation seven-inch tape reels and includes all 37 songs that Abram recorded. And while there have also been bootlegs, these have evidenced inferior sound quality as well. However, these albums did not draw on the original master tapes. The venue could seat about 120 but was reportedly almost empty for the Doors shows, two of which were recorded by Peter Abram, who co-owned the club with the Airplane’s Marty Balin.Ī couple of tracks from these recordings-which were among the first of the quartet’s concerts to be preserved on tape-appeared on The Doors: Box Set in 1997, and a two-CD 2008 release featured 24 of the songs that had been taped. 1 single, “Light My Fire,” was still more than three months away.Īs such, the band was little known when it took the stage for five nights-March 7 to 11-at San Francisco’s tiny but important Matrix Club, where acts like the Velvet Underground and Jefferson Airplane also played. But the record-which would ultimately spend more than two years on Billboard’s Hot 100, peaking at No. By March of 1967, the Doors had been in existence for the better part of two years and their eponymous debut album had been out for two months.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |